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This sense of nothing-new-to-say is magnified by the fact that worship leaders only have a few moments in between songs to speak. Our responsibility then is not only to hold up the Truth, but also to have wisdom in our economy of words, extending beyond just the same old thing.
Our lives are combusting with expectation and anticipation, and we're groaning for answers. Jesus knew this about us, better than we do. In fact, “On the last day of the feast, the great day, Jesus stood up and cried out, ‘If anyone thirsts, let him come to Me and drink’” (John 7:37).
No hymnwriter since the Reformation has been as prolific in his writing and impact as Isaac Watts, called the Father of English Hymnody. His Psalms, Hymns, and Spiritual Songs provided the hymns of the post-Reformation movement of churches.
We’re less than two weeks away from #doxandtheo16, and a few spots are still available. (Also, registration closes October 31.) If you’ve been on the fence about joining us next week, here’s three reasons to sign up today.
This year, we asked you to fill out a short survey to help us know more about you and the ways we can serve you best. Thank you for filling out the survey! We had hundreds of responses, and your input helps us understand why you're a part of Doxology & Theology. Check out the infographic below to see more about who comes to D&T and why.
Emotions in worship are a touchy subject. They’re touchy because, first, worship is often intensely emotional, and, second, many of us have had unpleasant experiences with leaders who have abused that reality. In my opinion, there are two extremes, neither of which are healthy or biblical, and both of which should be avoided through pastoral wisdom and grace.
Our church sings original music. Not always, but sometimes we do it. Most of the time it’s awesome, but other times, it’s an exercise of patience for our congregation. Recently someone asked me to explain why our church writes original music, so I’ve been thinking about all the ways songwriting serves our local church.
Song and melody not only unite us with others, but also touch parts of our hearts that might surprise us. This Independence Day liturgy took a truth that wasn’t immediately at the forefront of my mind and moved me from passive forgetfulness into active gratitude.
In a day and age where so many distractions are fighting for our attention, one of the best ways we can help center our people’s hearts is through a specific and pointed call to worship. It urges people to turn from worldly distractions and set their minds, hearts, and attention on the glory of God.
The songwriters of the Church have a special responsibility. We should be writing songs that expose God’s people to more and more of His powerful, life-changing Word.
Whatever the ambient volume of our sanctuary, there is a more critical matter of volume and understanding at play. It is one of the most glorious truths in the universe: implicit, and seldom mentioned. That is, when we gather to worship at our local churches, behind all our prayers and all our songs, behind all our exhortations and all our encouragements: the Lord hears.
I recently had a conversation about the process of creating art with a friend who writes movie scripts. As we talked, I mentioned a difficulty I’ve had in writing a song that I’m actually happy with. I’m trying to write more because I want to cultivate this gift in my own life and serve the congregation I am privileged to lead. But it’s been frustrating.
In all this talk of excellence, many Christians fail to realize the chasm between the world’s definition of excellence and God’s definition of excellence. The two are not synonymous. In fact, worship leaders in particular often succumb to a worldly definition of excellence. In doing this, we actually misunderstand godly excellence.
Things are not as simple for worship leaders/church music directors as they used to be. This isn’t necessarily a bad thing, but it’s certainly a more complicated thing. There are now more songs to choose from than ever, at an increasingly rapid speed, coming from big publishers, independent artists, local churches, Christian radio, social media feeds, conferences, carrier pigeons, and their distant relatives, hipsters.
One of the areas we must continue to grow in as church leaders is giving people vocabulary to express confession of sin, the emotional tides of suffering, and even death. The gospel is wide enough for all of our questions, and strong enough to hold us through each storm.
On May 24, 2016, one of the great Reformation scholars of the 20th century passed into glory.
In a matter of years, Steele became one of the best-loved names in hymnody. Just as Watts was crowned the “father of English hymnody,” Steele has been called the “mother of the English hymn." Since her day there has not been a woman hymn-writer who has matched Steele’s ability and nuance with the doctrinal fidelity and care she demonstrates.
Every once in a while you stumble across a historical figure whose voice speaks—no, shouts—with all kinds of contemporary relevance. For me, that figure is Thomas Cranmer, and the more I get to know him, the more I am inspired by this theologian, pastor, artist, and worship leader. If Cranmer is remembered at all, he is often caricatured as a wishy-washy politician, flitting to and fro in the winds of the whims of the mad King Henry VIII.
Easter is not the "Super Bowl of the church." Easter is not the day we suit up, march onto the field and win the game for Jesus. Easter is the day we fix our eyes on the resurrected Christ. Easter is the day we gather together to remind one another that Jesus has already won for us.
We must continue to preach the Gospel through song to those who already know it and rest in it. So what are some practical ways we can accomplish this as worship leaders so that our weekly planning is not mundane but done with intentionality and excellence?
For the last twenty years, I have been trying to bend the English language around for the glory of God and write melodies to encourage the hearts of his people. I know the difficulty and the reward of this labor and, more than ever, I feel the need to sing to the Lord a new song.